MARIA ELENA BUSZEK CAMPUS ADDRESS: UNIVERSITY OF COLORADO DENVER DEPARTMENT OF VISUAL ARTS CAMPUS BOX 177, P.O. buszek@ucdenver.edu HOME ADDRESS: 9742 E 35TH AVENUE DENVER, CO 80238 PHONE: 303/919.b u s z e k @ g m a i l . c o m WEB: www.mariabuszek.com EDUCATION 2003 The University of Kansas Lawrence, KS Ph.D. with Honors, History of Art Major area: Modern and Contemporary Art and Gender Issues Dissertation: “Pin-Up Grrrls: Feminism, Sexuality, and Popular Culture, 1860 to the present” Minor areas: Nineteenth-Century European Art and Gender Issues Baroque Art of the Hapsburg Empire 1996 The University of Kansas M.A., History of Art 1993 Creighton University B.A.mariabuszek.com 3 RESEARCH ACTIVITIES REFEREED BOOKS Co-editor (with Dr. Hilary Robinson) and translator, A Companion to Feminist Art. Oxford, UK and Malden, MA: Wiley-Blackwell, 2019. Editor and contributor, Extra/Ordinary: Craft and Contemporary Art. Durham, NC and London: Duke University Press, 2011. Pin-up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC and London: Duke University Press, 2006. REFEREED CHAPTERS IN BOOKS “CLOTHES CLOTHES CLOTHES PUNK PUNK PUNK WOMEN WOMEN WOMEN,” in Beyond the Canon: Contemporary Scholarship on Design History, edited by Jennifer KaufmannBuhler, Victoria Pass, and Christopher Wilson. London: Bloomsbury, 2019. “Women Consumers of Pin-Ups” in The History of Illustration, edited by Susan Doyle, Jaleen Grove, and Whitney Sherman. London: Bloomsbury, 2018. “Media, Process, History: Craft Beyond Crafting,” in Nation Building: Craft and Contemporary American Culture, edited by Nicholas Bell. Washington, DC and London: The Renwick Gallery of the Smithsonian Museum of American Art/Bloomsbury, 2015. “‘Her Life Was Saved by Rock and Roll’: Toward a feminist punk ethic/aesthetic,” Punkademics: The Basement Show in the Ivory Tower, edited by Zack Furness. Brooklyn, NY: Autonomedia, 2012. "'Perma-wave:' Bridging feminism's generation gap," Blaze: Discourse on Art, Women, and Feminism, edited by Karen Frostig and Kathy Halamka. Newcastle-Upon-Tyne: Cambridge Scholar's Press, 2007. REFEREED ESSAYS IN EXHIBITION CATALOGS “Punk Rock Futurist,” in Mark Mothersbaugh: Myopia, edited by Adam Lerner. Princeton, NJ: Princeton Architectural Press, 2014. Exhibited at the Museum of Contemporary Art Denver (2014-2015), Minneapolis Institute of Art (2015), Museum of Contemporary Art Cleveland/Akron Art Museum (2016), The Contemporary Austin (2016), Grey Art Gallery/New York University (2017). “Workt by Hand: Roundtable Discussion,” in Workt by Hand: Hidden Labor and Historical Quilts, edited by Catherine Morris. Brooklyn, NY: Brooklyn Museum of Art, 2013. Exhibited at the Brooklyn Museum of Art [2013], National Museum of Women in the Arts [2013-14], Crocker Art Museum [2014]) [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 4 [RESEARCH ACTIVITIES, CONT’D] “Eros and Thanatos: Surrealism’s Legacy in Contemporary Feminist Art,” in In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States, edited by Ilene Fort, Teresa Arcq, and Terri Geis. Los Angeles: Los Angeles County Museum of Art and Munich and New York: Prestel, 2012. (Translated for and published in both Spanish and French editions for the exhibition’s North American showings at El Museo de Arte Moderno in Mexico City and The Musee National de Beaux Arts, Quebec.) REFEREED ARTICLES “Ladies’ Auxiliary of the Lower East Side: Post-Punk Feminist Art and New York’s Club 57,” Punk & Post-Punk Journal 9, no. 3 (November 2020): 425-442. “’The Great Offender:’ An interview with Caroline Coon,” in Punk & Post-Punk Journal 8, no. 1 (March 2019): 137-149. “Moyra Davey,” Oxford Art Online. Oxford and New York: Oxford University Press (2017). “Necessary Collaborations in Feminist Art: An Interview with Suzanne Lacy and Andrea Bowers,” Art Journal 71, no. 1 (Spring 2012): 138-150. “Craft and Contemporary Art,” Oxford Art Online. Oxford and New York: Oxford University Press (2012). “Craftivism: An Introduction” (with Kirsty Robertson), Utopian Studies 22, no. 2 (2011): 197-200. “Mirror, Mirror: Joanna Frueh as Fairy Stepmother,” TDR: The Journal of Performance Studies, 55, no. 2 (T210, Summer 2011): 104-113 “‘Oh! Dogma (Up Yours!)’: Surfing the Third Wave,” Thirdspace: The Journal for Emerging Feminist Scholars 1, no.1 (July 2001): http://www.thirdspace.ca “Waving, Not Drowning: Thinking About Third Wave Feminism in the U.S.” Make: The Magazine of Women’s Art, no. 86 (December 1999-February 2000): 39-40. “Representing 'Awarishness': Burlesque, Feminist Transgression, and the 19th-Century Pin-up.” TDR: The Journal of Performance Studies 43, no.4 (T164, Winter 1999): 141-162. MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 5 REFEREED BOOK AND EXHIBITION REVIEWS Review of Keira V. Williams, Amazons in America: Matriarchs, Utopians, and Wonder Women in U.S. Popular Culture (Baton Rouge: Louisiana State University Press, 2019), Journal of American History 107, no. 1 (June 2020): 162-163. Review of the book This Year’s Model: Fashion, Media, and the Making of Glamour by Elizabeth A. Wissinger (New York: NYU Press, 2015), Journal of American Studies 51, no. 2 (May 2017): 351353. “Punkademia,” review of the books Out of the Vinyl Deeps: Ellen Willis on Rock Music, edited by Nona Willis Aronowitz. (Minneapolis: University of Minnesota Press, 2011); Lipstick Traces: A Secret History of the Twentieth Century, (twentieth-anniversary edition), by Greil Marcus (Cambridge, MA: Belknap Press of Harvard University Press, 2009); and Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation, by David A. Ensminger (Jackson: University Press of Mississippi, 2011), American Quarterly 65, no. 2 (June 2013): 413-423. Review of the book Handmade Nation: The Rise of DIY, Art, Craft, and Design, edited by Faythe Levine and Cortney Heimerl (Princeton, NJ: Princeton Architectural Press, 2008) and the film Handmade Nation: The Rise of DIY, Art, Craft, and Design, directed by Faythe Levine (Milwaukee DIY, 2009) Journal of Modern Craft 5, no. 3 (November 2012): 359-364. Review of the book Sex Objects: Art and the Dialectics of Desire, by Jennifer Doyle (Minneapolis: University of Minnesota Press, 2006), Journal of the History of Sexuality 20, no. 3 (September 2011): 619-623. “Women’s Work,” review of the exhibition WACK! Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles (4 March - 16 July, 2007), Journal of Modern Craft 1, no. 2 (July 2008): 293-297. Review of the book Picturing the Modern Amazon (New York: Rizzoli, 2000), edited by Joanna Frueh, Woman’s Art Journal 23, no.2 (Fall 2002/Winter 2003): 44-45. EDITORIAL CONSULTANT OF REFEREED BOOK The Art of Feminism: Images that Shaped the Fight for Equality, 1857-2017, 2nd edition, edited by Helena Reckitt. London: Tate Gallery, 2019. The Art of Feminism: Images that Shaped the Fight for Equality, 1857-2017, 1st edition, edited by Helena Reckitt. London: Chronicle Books, 2018. MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 6 EDITORSHIP OF REFEREED JOURNAL Co-editor (with Dr. Kirsty Robertson), “Craftivism”—a special issue of Utopian Studies 2, no. 2 (2011). NON-REFEREED CHAPTERS IN BOOKS “Foreword,” Divas, Dames and Daredevils: The Lost Heroines of Golden Age Comics, by Mike Madrid. Minneapolis, MN: Exterminating Angel/Consortium Books, 2013. “Mothers and Daughters, Sluts and Goddesses: Mary Beth Edelson and Annie Sprinkle,” It’s Time for Action (There’s No Option): About Feminism, edited by Heike Munder. Zurich: JRPRingier, 2007. 10: Charlotte Street Foundation Tenth Anniversary. Kansas City, MO: Charlotte Street Foundation, 2007. Author of essays on Michael Converse, Gear, Peregrine Honig, Anne Lindberg, Seth Johnson, and May Tveit. Contemporary Artists. 5 ed. Detroit: St. James Press, 2001. Author of new essays on artists Vanessa Beecroft, Sophie Calle, Raymond Pettibon, Pipilotti Rist, and Cindy Sherman; update author for entries on Laurie Anderson, Balthus, Lynda Benglis, Annette Messager, and Mel Ramos. NON-REFEREED ESSAYS IN EXHIBITION CATALOGS “Great Offender and Realist Criminal,” in Caroline Coon: The Great Offender. London and New York: Tramps Gallery, 2019. Inner Ear Vision: Sound as Medium (with Raven Chacon and Robert Aiki Aubrey Lowe). Omaha, NE: Bemis Center for Contemporary Arts, 2019. “Kate Kretz’s Lie Hole (2017),” in Fahrenheit 213. San Francisco: Arc Gallery and Northern California Women’s Caucus for Art, 2019. Problems and Provocations: Grand Arts, 1995-2015. Kansas City, MO: Grand Arts, 2016. Author of entries “Fierce” and “Feminist.” Danger Came Smiling: Feminist Art and Popular Music. Stamford, CT: Franklin Street Works, 2016. “Introduction” to Laden Interlacings: A collaborative work by artists Melissa Furness and Rian Kerrane. Cedar Rapids, IA: Legion Arts, 2015. “The Next Great Moment in History is Hers,” in Dorothy Iannone: Censorship and the Irrepressible Drive Toward Divinity. Zurich: JRP-Ringier, 2014. [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 7 [RESEARCH ACTIVITIES, CONT’D] “Radical Patience: The Work of Andrea Bowers,” in Andrea Bowers. Claremont, CA: Pomona College Museum of Art, 2014. Joyce Kozloff: Cradles to Conquest. Glassboro, NJ: Rowan University Gallery, 2014. Mark Newport: Self-Made Man. St. Louis, MO: Laumeier Sculpture Park, 2010. “Pleasure/principle,” in Ghada Amer: Breathe Into Me. New York: Gagosian Gallery, 2006. 2006 Charlotte Street Foundation Exhibition. Kansas City, MO: Charlotte Street Foundation, 2006. Author of introduction and essays on Anthony Baab, Deanna Dikeman, Justin Gainan, Elijah Gowin, and Aaron Wrinkle. Aidas Bareikis: The Guard of Sorry Spirit. Kansas City, MO: Grand Arts, 2005 "Allyson Mitchell: Desire and Dissent," in Allyson Mitchell: Lady Sasquatch. Toronto, ON: Paul Petro Contemporary Art, 2005. Editor (with Stephen Goddard) and essayist, online catalog Alberto Vargas: The Esquire Years. Lawrence, KS: Spencer Museum of Art, 2001: http://www.ku.edu/~sma/vargas/vargas.htm. Toward an American Identity: Selections from the Wichita Art Museum Collection of American Art, edited by Novolene Ross. Wichita: Wichita Art Museum, 1997. Author of essays on William Merritt Chase, Charles Demuth, Thomas Eakins, Childe Hassam, and Carl Wuermer. NON-REFEREED ARTICLES “Exorcism Through Creation,” Artlines (Summer 2020): 6-7. “‘Fantasies and Dissonance’: An Interview with Anne Bean,” Flash Art International #328 (November 2019-January 2020): 88-95. “Contemporary Jewelry and Male Eroticism,” Art Jewelry Forum (17 July 2016): https://artjewelryforum.org/blank-versus-anonymous-faun-contemporary-jewelry-and-maleeroticism “Maria Elena Buszek: Reading List,” for Artpulse Magazine “Art Critics’ Reading List” feature (Summer 2015): 10. Also published online at: http://artpulsemagazine.com/maria-elena-buszek “Once More, With Feeling: Feminist Art and Pop Culture Now,” Artpulse Magazine 12 (Summer 2012): 16-19. Also published online at: http://artpulsemagazine.com/once-more-with-feelingfeminist-art-and-pop-culture-now [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 8 [RESEARCH ACTIVITIES, CONT’D] “‘Labor is My Medium:’ Some perspective(s) on contemporary craft,” Archives of American Art Journal 50, no. 3-4 (Fall 2011): 66-75. “The Feminist Art Project: Passionate, politicized networking,” Review (January 2008): 18-19. “Emerging Voices in Context: Surface design and contemporary art criticism,” Surface Design Journal 33, no.1 (Fall 2008): 6-9. “Feminist history and ambivalence in the work of Nicole Cawlfield,” Photography Quarterly 94 (Spring 2007): 12-17. “Urban Legends: Five Unlikely (August/September 2006): 64-65. American Cities to Visit Now,” Readymade 25 “Defining/Defending the Feminist Pin-Up (collaborative pictorial with photographer Nicole Cawlfield)” Review (March 2004): 46-7. “Designing a Conference: An Interview with Surface Design Association Conference Coordinators Michele Fricke and Pauline Verbeek-Cowart,” Review: Surface Design Special Issue (Summer 2003): 18-19. “Positive Old Models: Laurie Anderson.” BUST Magazine 23 (Spring 2003): 60. “The Revolution of Pink: Joanna Frueh in conversation with Tanya Augsburg, Maria Elena Buszek and Jill O'Bryan.” n.paradoxa: international feminist art journal no. 10 (Fall 2002): 27-35. “The Men We Love: Francois Truffaut and Alberto Vargas.” BUST Magazine 15 (Fall 2000): 82. “Paul Cadmus’ Coney Island.” At the Museum: Magazine of the Los Angeles County Museum of Art 38, nos. 7/8 (July/August 2000): 8-9. “War Goddess: The Varga Girls, WWII and Feminism,” n.paradoxa online: international feminist art journal 6 (March 1998): http://web.ukonline.co.uk/n.paradoxa/index.htm NON-REFEREED BOOK AND EXHIBITION REVIEWS Review of the book Recollections of My Nonexistence: A Memoir, by Rebecca Solnit (New York: Viking., 2020). BUST Magazine (Spring 2020): 79. Review of the book God Save the Queens: The Essential History of Women in Hip-Hop, by Kathy Iandoli (New York: Dey St., 2019). BUST Magazine (Winter 2020): 85. [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 9 [RESEARCH ACTIVITIES, CONT’D] Review of the book Women Who Rock: Bessie to Beyoncé, Girl Groups to Riot Grrrl, edited by Evelyn McDonnell (London: Black Dog, 2018). BUST Magazine 114 (January/February 2019): 84. Review of the book Men: Notes from an Ongoing Investigation, by Laura Kipnis (New York: Metropolitan Books, 2014). BUST Magazine 89 (Oct/Nov 2014): 85. Review of the book There Goes Gravity: A Life in Rock and Roll, by Lisa Robinson (New York: Riverhead Books, 2014). BUST Magazine 86 (April/May 2014): 84. Review of the book Madonna and Me: Women Writers on the Queen of Pop, edited by Laura Barcella (Berkeley, CA: Soft Skull, 2011). BUST Magazine 74 (April/May 2012): 79. Review of the book A Strange Stirring: The Feminine Mystique and American Women at the Dawn of the 1960s, by Stephanie Koontz (New York: Basic, 2011). BUST Magazine 66 (February/March 2011): 70. Review of the book Angels of Anarchy: Women Artists and Surrealism, edited by Patricia Allmer (New York and London: Prestel, 2009). BUST Magazine 61 (February/March 2010): 77. “Thinking through craft: A new wave of craft theory,” review of the books A Theory of Craft: Function and Aesthetic Expression, by Howard Risatti (Chapel Hill: University of North Carolina Press, 2007) and Thinking Through Craft, by Glenn Adamson (London and New York: Berg, 2007) Surface Design Journal 34, no.1 (Fall 2009): 66-67. Review of the book Lydia Lunch: Will Work for Drugs, by Lydia Lunch (Brooklyn, NY: Akashic, 2009). BUST Magazine 59 (October/November 2009): 79. Review of the book Stripping Gypsy: The Life of Gypsy Rose Lee, by Noralee Frankel (Oxford and New York: Oxford University Press, 2009). BUST Magazine 57 (June/July 2009): 88. Review of the book Hellions: Pop Culture’s Rebel Women, by Maria Raha (Berkeley, CA: Seal Press, 2008). BUST Magazine 54 (December/January 2009): 88. Review of the book Riot Grrrl: Revolution Girl Style Now, by Nadine Monem (London: Black Dog, 2007). BUST Magazine 50 (April/May 2008): 89. Review of the book Paradoxia: A Predator’s Diary, by Lydia Lunch (Brooklyn, NY: Akashic, 2007). BUST Magazine 48 (December/January 2008): 107 Review of the book Mastering the Melon: Projects by Alix Lambert (London and Madrid: Galeria Javier Lopez, 2007). BUST Magazine 47 (October/November 2007): 105. [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 10 [RESEARCH ACTIVITIES, CONT’D] Review of the book Macedonia, by Harvey Pekar, Heather Roberson, and Ed Piskor (New York: Villard/Ballantine, 2007). BUST Magazine 46 (August/September 2007): 100. Review of the book Craftivity: 40 Projects for the DIY Lifestyle, by Tsia Carson (New York: Harper Perennial, 2006). BUST Magazine 52 (December/January 2007): 102. Review of the book Get to Work: A Manifesto for Women of the World, by Linda Hirshman (New York: Viking, 2006). BUST Magazine 40 (August/September 2006): 98. Review of the book The May Queen: Women on Life, Love, and Pulling it Together in Your 30s, edited by Andrea Richesin (New York: Tarcher/Penguin, 2006. BUST Magazine 38 (April/May 2006): 102. Review of the book Sisters: The Lives of America’s Suffragists, by Jean H. Baker (New York: Hill and Wang/Macmillan, 2006). BUST Magazine 37 (February/March 2006): 93. Review of the book The Habit: A History of the Clothing of Catholic Nuns, by Elizabeth Kuhns (Victoria, AU: Images, 2005). BUST Magazine 35 (June/July 2005): 96. Review of the book Porn Studies, edited by Linda Williams (Durham, NC and London: Duke University Press, 2004). BUST Magazine 30 (December 2004/January 2005): 115. Review of the book Striptease: From Gaslight to Spotlight, by Jessica Glasscock (New York: Harry N. Abrams, 2003). BUST Magazine 27 (Spring 2004): 104. “Six Exhibitions: Surface Design Association Hands On Conference,” review of the exhibitions Fiber Constructions at Leedy-Voulkos Gallery, Jason Pollen at the Dolphin Gallery, Couplets at The Writers’ Place, Silk Dichotomies at Leedy-Voulkos, Erica Spitzer Rasmussen: Second Skins at The Cube, Rachel Frank at Fahrenheit Gallery, and The Next Wave at Opie Gallery. Surface Design Journal 28, no. 3 (Spring 2004): 46-49. Review of the book, Chicana Feminisms: A Critical Reader, edited by Gabriela F. Arredondo, Aida Hurtado, Norma Klahn, Olga Najera-Ramirez and, Patricia Zavella (Durham, NC and London: Duke University Press, 2003). BUST Magazine 26 (Winter 2003): 105. “Of Daguerreotypes, Calotypes, and Photographs,” review of the exhibition Photographs from the Collection: Part One at the Spencer Museum of Art, Review (November 2003): 56-57. “Riddles of the Self,” review of the exhibition Short Stories at Byron Cohen Gallery for Contemporary Art, Review (February 2004): 57. Review of the exhibition Second Skins at The Cube, Review (September 2003): 71. [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 11 [RESEARCH ACTIVITIES, CONT’D] “On a MiSSION,” a review of the performance/exhibition of The Ssion at Your Face Gallery, Review (Summer 2003): 112 “Demystifying Machines,” review of the exhibition Switch at Telephonebooth Gallery. Review (Summer 2003): 93. Review of the book No Turning Back: The History of Feminism and the Future of Women, by Estelle B. Freedman (New York: Ballantine, 2003). BUST Magazine 24 (Summer 2003): 103. “Cooking Up Content,” review of the exhibition Brett Reif’s Fried Times at Leedy-Voulkos Gallery. Review (Summer 2003): 96. “On the Occasion of a New York Blizzard: College Art Association Annual Conference and New York City Exhibitions,” review of the proceedings of the 2003 College Art Association Annual Conference; the exhibitions Thomas Struth, Leonardo da Vinci: Master Draftsman, and AfricanAmerican Artists, 1929–1945 at the Metropolitan Museum of Art; Matisse/Picasso at the Museum of Modern Art; and Matthew Barney: The Cremaster Cycle at the Guggenheim Museum. Review (April/May 2003): 64-67. Review of the book No Place for a Lady: Tales of Adventurous Women Travelers, by Barbara Hodgson (Berkeley, CA: Ten Speed Press, 2002). BUST Magazine 23 (Spring 2003): 102. Review of the book Insurgent Muse: Life and Art at the Women’s Building, by Terry Wolverton (San Francisco, CA: City Lights, 2002). BUST Magazine 22 (Winter 2002): 97-98. Review of the book Woman’s Inhumanity to Women, by Phyllis Chesler (New York: Thunder’s Mouth/Nation Books, 2001) BUST Magazine 20 (Fall 2002): 100. Review of the book Monster/Beauty: Building the Body of Love, by Joanna Frueh (Berkeley: University of California Press, 2000). BUST Magazine 19 (Spring 2002): 83-84. Review of the book Running for their Lives: Girls, Cultural Identity, and Stories of Survival, edited by Sherie Inness (Lanham, MD: Rowman and Littlefield, 2000). BUST Magazine 14 (Spring 2000): 96. Review of the book Women in Dada: Essays on Sex, Gender and Identity, edited by Naomi Sawelson Gorse (Cambridge, MA: MIT Press, 1999). BUST Magazine 13 (Fall 1999): 101. Review of the exhibition Shonagh Adelman at Linda Kirkland, New York City,” Art in America 87, no.7 (July 1999): 100. MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 12 RESEARCH REPRINTED “’Labor is my Medium,” in Crafts: Today’s Anthology for Tomorrow’s Crafts, edited by Chloé Braunstein-Kriegel and Fabien Petiot. Paris: Norma Editions, 2018. (French and English editions.) Chapter from Extra/Ordinary (Anthea Black and Nicole Burisch’s “Craft Hard, Die Free”), in Crafts: Today’s Anthology for Tomorrow’s Crafts, edited by Chloé Braunstein-Kriegel and Fabien Petiot. Paris: Norma Editions, 2018. (French and English editions.) “Pin-up Grrrls, femminismo e pop culture,” Sinistra Anticapitalista (Italy) (11 March 2017): https://anticapitalista.org/2017/03/11/pin-up-grrrls-femminismo-e-pop-culture/ “Representing ‘Awarishness’: Burlesque, Feminist Transgression, and the 19th Century Pin-Up,” in “Gender and Sexuality: A Batch from TDR/The Drama Review,” edited by Richard Schechner, MIT Press BATCHES e-book series, 2014. “From Women to Grrrls” (excerpt from Pin-Up Grrrls), in Mañana por la Mañana, edited by Tanya Rubbak. Los Angeles: Mañana por la Mañana Collective, 2010. “Pin-Up Grrrls: A Very Brief History of the Feminist Pin-Up” (excerpt from Pin-Up Grrrls) ROSA: Die Zeitschrift für Geschlechterforschung, no. 38 (2009): 34-38. "Say Cheese(cake)! How pin-up girls of the day reflect changing ideals of womanhood," American Sexuality (August 2007): http://nsrc.sfsu.edu/american_sexuality “Mélange: ‘Offbeat Nudes’” (excerpt from Pin-Up Grrrls), The Chronicle Review: The Chronicle of Higher Education (14 July 2006): Section B. PUBLICATIONS IN PROGRESS “The Secret Public: Dada, Feminism, and Punk,” in Dada Studies as Countercultural Practice, edited by Brett Van Hoesen and Kathryn Floyd (being written) PUBLICATIONS IN PREPARATION The Art of Noise: Feminist Art and Popular Music since 1977. (Solicited by Duke University Press, being researched and written) MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.Hilary Robinson), “The Collaborative Art of Publishing” College Art Association annual conference (Los Angeles, CA) April 2017 Panelist/presenter, “What is Politics? mariabuszek.com 14 [RESEARCH ACTIVITIES,CONT’D] October 2012 Moderator, "Media, Process, History: Craft Beyond Crafting (a conversation with Sonya Clark, Elaine Reichek, and Michael Strand)" at Nation Building: Craft and Contemporary American Culture, The Renwick Gallery and The Smithsonian Museum of American Art (Washington, DC): presentations archived at: http://americanart.si.edu/multimedia/webcasts/archive/2012/nationbuilding/frontiers/ February 2012 Session Chair, “Necessary Positions: Intergenerational Collaboration in Feminist Art,” College Art Association Annual Conference (Los Angeles, CA) February 2012 Presenter, “Centennial Session: Women, Surrealism, California and Beyond,” jointly organized by the Los Angeles County Museum of Art and College Art Association Annual Conference (Los Angeles, CA) February 2011 Coordinator/moderator (with Kat Griefen), “Sonic Art and Activism: Exploring the ties between feminist art and popular music,” with Damali Abrams, Kathleen Hanna, Lorraine O’Grady, and Shizu Saldamando, The Feminist Art Project Special Sessions, College Art Association annual conference, SoHo20 Gallery (New York, NY) February 2010 Event chair/coordinator, The Feminist Art Project Special Sessions, College Art Association annual conference (Chicago, IL) Video of this day of events available on TFAP website: http://feministartproject.rutgers.edu/resources/fare/files/6/ February 2010 Presenter, “Extra/ordinary: Craft and Contemporary Art”, College Art Association annual conference (Chicago, IL) April 2009 Session chair/moderator, "The Handmade Effect/Affect: A roundtable on craft and contemporary art,” Midwest Art History Society annual conference (Kansas City, MO) February 2009 Session chair/moderator, “Artists Converse on Feminism: Andrea Bowers, Cheri Gaulke, Catherine Opie,” College Art Association annual conference (Los Angeles, CA) February 2008 Presenter, “Borderlands: Feminism and Popular Culture,” College Art Association annual conference (Dallas, TX) July 2007 Presenter, “’Perma-wave’: Contributing third-wave scholarship to the feminist discourse,” National Women’s Studies Association annual conference (St. Charles, IL) February 2006 Session chair/moderator, “The Impact of New Feminisms,” College Art Association annual conference (Boston, MA) February 2006 Presenter/panelist, “Third Wave Feminists in Conversation: Roundtable,” National Women’s Caucus for Art annual conference (Boston, MA) [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.mariabuszek.com 16 [RESEARCH ACTIVITIES, CONT’D] July 2018 Presenter and moderator, “Dismantling the Gaze: A Visual Primer,” Inaugural event for the Dismantling the Gaze series, International Center of Photography (New York, NY) March 2018 Kendall College of Art and Design Annual Masters of Art in Visual and Cultural Studies Lecturer, Ferris State University (Grand Rapids, MI) March 2017 Guest lecturer, University of Illinois Department of Art + Design (Champaign-Urbana, IL) March 2017 Guest lecturer, Visual Culture Studies Forum, California College of the Arts (San Francisco, CA) October 2016 Presenter and moderator, “Among Dreams: National Coming Out Day,” Center for Bioethics and Humanities, University of Colorado Anschutz Medical Campus (Denver, CO). Video of this event available at: https://www.youtube.com/watch?v=9m4i_lmK1w8&feature=youtu.be June 2016 Guest lecturer, Spencer Museum of Art and KU Alumni Association, “Art on the Rocks,” University of Kansas (Lawrence, KS) August 2015 Presenter and panelist, "Beyond the Flower(s): Georgia O'Keeffe and feminist art history,” Georgia O’Keeffe in her Own Time and Place symposium, Colorado Springs Fine Art Center (Colorado Springs, CO) April 2015 Visiting lecturer, Critical Studies Series, Cranbrook Academy of Art (Bloomfield Hills, MI) March 2015 Presenter and panelist, “Critical Pleasures, Critical Risks: A Conversation about Art Criticism Today with Maria Elena Buszek, Patrick Greaney M.S. Dansey, and Guido Ignatti,” University of Colorado Boulder (Boulder, CO) October 2014 Guest lecturer, Virtual Visiting Artist Program, The University of Mississippi (Oxford, MS) October 2014 Presenter, Women’s and Gender Studies Research Colloquium, The University of Colorado Denver (Denver, CO) June 2014 Sweden) Visiting Scholar, Iaspis/Swedish Arts Grants Committee (Stockholm, March 2014 The Murray Pepper and Vicki Reynolds Pepper Visiting Artists and Scholars Endowed Lecturer, Pitzer College (Claremont, CA) [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 17 [RESEARCH ACTIVITIES, CONT’D] November 2013 MN) Guest lecturer, Minneapolis College of Art and Design (Minneapolis, September 2013 (San Francisco, CA) Guest lecturer, 2013 Graduate Lecture Series, San Francisco Art Institute March 2013 Keynote speaker, Secret Stash Exhibition/Symposium, McIntosh Gallery and The University of Western Ontario (London, ON, Canada) September 2012 Guest lecturer, Design and Art Lecture Series, California College of the Arts (San Francisco, CA) May 2012 CA) Guest lecturer, Department of Art, Santa Monica College (Santa Monica, April 2012 Guest lecturer, CraftPerspectives Lecture Series and 2011-2012 Graduate Visiting Artist Lecture Series, Pacific Northwest College of Art and the Museum of Contemporary Craft (Portland, OR). Streaming audio and/or mp3 of this presentation at: http://untitled.pnca.mariabuszek.Hite Art History Lecture, Department of Fine Arts and Hite Art Institute, University of Louisville (Louisville, KY) March 2008 Keynote speaker, Women’s Art: Women’s Vision, Women’s History Month 2008, Kansas City, Kansas Community College (Kansas City, KS) December 2007 Guest lecturer, Critical Studies Series, Producing Culture: Creators and Creativity in the Contemporary World, Cranbrook Academy of Art (Bloomfield Hills, MI) November 2007 Panelist/guest lecturer, Beauty and the Blonde: An Exploration of American Art and Popular Culture, Mildred Lane Kemper Museum of Art, Washington University (St. Louis, MO) Video of this event available on Kemper Museum website: http://kemperartmuseum.wustl.edu/blonde_panel_video.mov November 2007 Panelist/guest lecturer, Let Me Show You the World: The Sewn Drawings of China Marks, Beach Museum of Art, Kansas State University (Manhattan, KS) April 2007 Guest lecturer, Department of Craft and Material Studies colloquium, Virginia Commonwealth University (Richmond, VA) [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.A Conversation About Representation in Cultural History,” Art + Feminism Wikipedia Edit-a-Thon and Arthyve (Denver, CO) January 2019 Panelist, Tara Donovan: FIELDWORK Panel Discussion, The Museum of Contemporary Art, Denver and University of Colorado Denver College of Arts and Media (Denver, CO) September 2018 Presenter accompanying screening of Rembrandt, 2018 Tattered Cover Classics Series, Sie Film Center (Denver, CO) November 2017 Presenter, “Situationist fashion,” 3 Things: Any 3 Things series, Museum of Contemporary Art, Denver (Denver, CO) November 2017 Faculty keynote, Inaugural CU-Denver Live! Art Showcase series, Auraria Library, University of Colorado Denver (Denver, CO) September 2017 Presenter accompanying screening of Bombshell: The Hedy Lamarr Story, Breckenridge Film Festival (Breckenridge, CO) September 2017 Moderator, “Art and Activism: A Tilt/West Roundtable,” 2017 Biennial of the Americas (Denver, CO) [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 20 [RESEARCH ACTIVITIES, CONT’D] October 2016 Moderator, “Fathomers: Fun Problems with Smart People,” with Mel Chin, Rosemarie Fiore, Stephen Lichty, Michael Jones McKean, Filip Noterdaeme, Emily Roysdon, John Salvest, and Christophe Thompson, Red Bull Studios (New York, NY) June 2014 (Sacramento, CA) Art Lecture Series, Workt By Hand: Women Weigh In, Crocker Art Museum March 2014 Gallery talk, Saints, Stars, and Artspace/Kansas City Art Institute (Kansas City, MO) Selfies exhibition, H&R Block November 2013 Presenter (with curator Nora Abrams), “Pop Culture and Politics,” Nora! and Friends Talk Contemporary Art [and Other Things], Museum of Contemporary Art, Denver (Denver, CO) February 2012 Presenter, “Jean-Michel Basquiat,” Mixed Taste series, The Museum of Contemporary Art, Denver (Denver, CO) November 2011 Panelist (with Howie Movshovitz and Quintin Gonzalez), post-film discussion of Ghost in the Shell: Post-Film Discussion, 34th Annual Starz Denver Film Festival (Denver, CO) September 2011 Panelist (with Lynn Hershman-Leeson and Virginia McCarver), post-film discussion of WAR! Women Art Revolution, University of Colorado Denver (Denver, CO) April 2011 Presenter and moderator, “Play List: Feminist Art and Feminist Music,” Feminism & Co.: Art + Sex + Politics series, The Museum of Contemporary Art, Denver (Denver, CO) Video highlights of this event available at MCA YouTube channel: http://www.youtube.com/watch?v=vs6VJcgbMIA&list=UUH0khedfqrBPjGbfBaYZKlQ&index =4&feature=plcp March 2011 Panelist (with Matt Jenkins, Deanne Pytlinski, and Gillian Silverman), Voices Salon Series III – Fighting to be Heard: Feminism and the Art Movement, Denver Film Society’s Women + Film: Voices Series (Denver, CO) March 2011 Discussant (with Adam Lerner), post-film discussion of I Shot Andy Warhol during Warhol in Colorado exhibition, University of Denver and Denver Film Society (Denver, CO) April 2010 Panelist (with Caitlin Horsmon, Ritchie Kaye, Jennifer Martin, and Linda Rodriguez) post-film discussion of Who Does She Think She Is? University of Missouri, Kansas City Women’s Center and Tivoli Cinemas (Kansas City, MO) [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 21 [RESEARCH ACTIVITIES, CONT’D] April 2010 Chair and moderator, Current Perspectives: Arrival/Departure (conversation with artists from Arrival/Departure exhibition), Kansas City Art Institute (Kansas City, MO) April 2005 Moderator of post-film Q&A with Cameron Jamie, Kranky Klaus/BB/Spook House screening, Grand Arts Mash Up! event series (Kansas City, MO) August 1999 Guest lecturer, “Fame after Feminism: Feminist interpretations of the sexualized woman in popular culture,” Fame After Photography exhibition at The Museum of Modern Art, (New York, NY) RECOGNITION, HONORS, AND AWARDS 2020 PROSE Award Nominee Art History: Single Volume Reference category, A Companion to Feminist Art, Association of American Publishers 2019/20 Distinguished Faculty Lectureship Finalist University of Colorado Denver 2018/2019 Excellence in Teaching Award College of Arts and Media, University of Colorado Denver 2019 Bensussen Distinguished Arts Scholar Chapman University Department of Art and Art History (Orange, CA) 2019 Ray & Pat Browne Award: Edited Collection, Popular and American Culture For History of Illustration, Popular Culture Association/American Culture Association 2019 John G. Cawelti Award for the Best Textbook/Primer First runner-up, History of Illustration, Popular Culture Association/American Culture Association 2018 Elizabeth D. Gee Memorial Lectureship Nominee The Elizabeth D. Gee Memorial Lectureship Award recognizes and honors an outstanding faculty member of the University of Colorado for efforts to advance women in academia, interdisciplinary scholarly contributions and distinguished teaching 2015/2016 Faculty Research and Creative Work Award For research and creative work, College of Arts and Media, University of Colorado Denver [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 22 [RESEARCH ACTIVITIES, CONT’D] 2014/2015 Faculty Service Award For academic and professional service, College of Arts and Media, University of Colorado Denver 2014 Elizabeth D. mariabuszek.com 23 [RESEARCH ACTIVITIES, CONT’D] 1996/1997 Stokstad Teaching Award Kress Foundation Department of Art History, The University of Kansas GRANTS AND SUPPORT RECEIVED 2019/20 Getty Research Institute, Library Research Grant 2019/20 Paul Mellon Centre for the Study of British Art Travel Grant 2016-2019 CU-Denver Office of Research Services (ORS) Travel Grant 2009-2019 College of Arts and Media (CAM) Faculty Development Grant 2019 CAM Innovation Grant 2018 CAM Seed Grant 2018 CAM Faculty Development Publishing Grant 2018 CU-Denver Community of Practice Grant 2017 University of Colorado President’s Diversity Grant 2015 CU-Denver High-Impact Practices Grant 2015 University of Colorado President’s Diversity Grant 2015 CU-Denver Live! Grant 2015 University of Colorado President’s Fund for the Humanities Grant 2010-2013 ORS Young Upwardly Mobile Professors Grant 2011 UCDenver Live! Grant 2008 Center for Craft, Creativity, and Design Craft Research Fund Project Grant 2004-2009 Kansas City Art Institute Faculty Development Grant 1999 The University of Kansas Murphy Dissertation Grant MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 24 TEACHING UNIVERSITY OF COLORADO DENVER (2010-present) • • • • • • • • • • • • • • • • • • • • • • • FINE2610: Introduction to Art History: Renaissance to contemporary art FINE4524/5524: Gender and Contemporary Art FINE4600/5600: History of Modern Design FINE4790/5790: Methods in Art History FINE4840: Independent Study, Art History program FINE4990/5990: Contemporary Art: 1945 to the Present FINE4990/5990: Contemporary Art: 1960 to the Present FINE 4790/5790: Modernist Art FINE4994/5994: Topics Seminar in Art History II: Constructivism and The Bauhaus FINE4994/5994: Topics Seminar in Art History II: Dada and Surrealism FINE4951: Art History (BA) Thesis HUMN5890: Independent Study, Master of Humanities program EURēCA! Fellowship Mentor, Florence Blackwell, 2020/21 Undergraduate Research and Opportunity Program (UROP) Grant Adviser, Indiana Metza (Funds for Independent Research on Japanese Anime and Christian Symbolism), 2020/21 Research and Creative Activities Symposium (RaCAS) Mentor, 2020: o Jessica Diaz, “Communicating Social Sustainability with Creative Solutions on Auraria Campus” o Tatum Meinert, “Progression of Dutch Still Life: from Vanitas to Pronkstilleven” o Gesina Null, “Colonization and Christian Art in Mesoamerica” o Margot Reed Silverstein, “The Colonized Subject as Fetish Object: Hannah Hoch's From an Ethnographic Museum” College of Arts and Media Student Innovation Grant Mentor, Jessica Diaz, 2019/20 EURēCA! Fellowship Mentor, Emily Owens, 2018/19 Undergraduate Research and Opportunity Program (UROP) Grant Adviser, Olivia Snyder (Funds for Independent Research on Art for Denver Light Rail), 2018/19 Research and Creative Activities Symposium (RaCAS) Mentor, 2019: o Chelsea Rieu-Torrez, “‘Emojis are Taking Over!’ An Analysis of Art and the Digital Visual Language.” o Elizabeth Snyder, ““Past, Present, and Future: How Eco-Art Can Help Environmental Efforts” o Olivia Snyder, “Public Art and Denver Light Rail” o Jake Trujillo, “Confucian Philosophy in Chinese Portraiture” College of Liberal Arts and Sciences, Masters of Humanities Program, Master Thesis committee for Aimee Andrews, 2018 College of Liberal Arts and Sciences, Masters of Humanities Program, Master Thesis committee for Ursla Null, 2018 College of Liberal Arts and Sciences, Masters of Humanities Program, Master Project committee for Renee Albiston, 2017 CLAS Masters of Humanities Program, Master Thesis committee for Whitnee Patton, 2016 [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 25 [TEACHING, CONT’D] • • • • • • • • • • Research and Creative Activities Symposium (RaCAS) Mentor, 2016: o Kara Brown, “The Future As Seen From the Present” o Briana Gonzales, “Creating Safe Spaces: The Street Art and Activism of SWOON” o Jen Logan, “Make Love, Not War: 1960’s Sex, Politics, and Art in Eros and Avant-Garde Magazines” o Colleen Sullivan, “The Art Market: Gender Gaps and Market Progression” o Cassidy Tierney, “Fashion and Feminism: How We Wear the Movement” CLAS Masters of Humanities Program, Master Thesis committee for Hamidah Glasgow, 2015 UROP Grant Adviser, Kara Brown (Funds for Creative Activities in Venice, Italy), 2014/15 Research and Creative Activities Symposium (RaCAS) Mentor, 2015: o Katie Toler, “Interdisciplinary Practices: Feminism in Pre-Columbian Archaeology since the 1990s” o Andrea Wulf, “Women Artists and the Dada Movement” CLAS Masters of Humanities Program, Master Project committee for B. Mann, 2014 CLAS Masters of Humanities Program, Master Thesis committee for Kathryn Cairns, 2014 CLAS Masters of Humanities Program, Master Thesis committee for Tammy Osgood, 2014 UROP Grant Adviser, Renee Albiston (Funds for Thesis research on Monuments Men), 2013/14 CAP, Masters of Landscape Architecture committee for Rebecca Heavner, 2012 CLAS, Masters of Humanities Program, Master Project committee for Don Anderson, 2012 COURSES TAUGHT/GRADUATE COMMITTEES ELSEWHERE York University, Canada (2020) • Ph.D. Program, Theater, Doctoral Thesis committee for Thea Fitz-James, “Stitches, Bitches and Bodies: Contemporary Body in/and Textile Performance” Universidad de Vigo en Pontevedra, Spain (2017) • Ph.D. Program, Fine Arts, Doctoral Thesis committee for Marta (Bran) López López, “Arte, vida y redes sociales de Internet: El artista en los inicios del siglo XXI. Nuevos paradigmas” California College of the Arts (2016) • Master of Arts, Visual and Critical Studies, Master’s Thesis committee for Sienna Freeman, “Pulled, Stitched, and Stuffed: Materiality and the Abject in Dorothea Tanning’s Soft Sculptures” National Endowment for the Humanities (2015) • Summer Programs in the Humanities for College and University Teachers, Drexel University, Faculty for “The Canon and Beyond: Teaching the History of Modern Design” [continued] MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 26 [TEACHING, CONT’D] University of New Brunswick, Canada (2014-15) • Interdisciplinary Ph.D. S. • Modern/Contemporary Art: Post-Impressionism to the present University of Kansas (1996-1998) • Introduction to Art History: Prehistoric to Medieval Art • Introduction to Art History: Renaissance to contemporary art • Introduction to Western Art History MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com 27 ACADEMIC AND PROFESSIONAL SERVICE UNIVERSITY OF COLORADO DENVER/VISUAL ARTS DEPARTMENT SERVICE • • • • • • • • • • • • • • Art History Working Group, CU-Denver Visual Arts Department, 2018-present Co-adviser (with Jeffrey Schrader), Art History Student Association, CU-Denver Visual Arts Department, 2011-present Ad-hoc committee on rights/responsibilities of chairs, CU-Denver Visual Arts Department, 2018 Interim Dean/Associate Dean search committee, CU-Denver Visual Arts Department, 2018 Faculty sponsor, 7.mariabuszek.com 28 [SERVICE, CONT’D] • • • • Co-organizer (with Lanny DeVuono and Shannon Corrigan), UCDenver Live! mariabuszek.mariabuszek.Washington, DC: National Women’s Caucus for Art, 2012 Peer reviewer (scholarly article), The Journal of Modern Craft, 2012 Peer reviewer (scholarly article), thirdspace: The Journal for Emerging Feminist Scholars, 2012 Peer reviewer (scholarly article), Feminist Studies, 2012 Peer reviewer (scholarly article), The Journal of Modern Craft, 2011 Juror, Her Mark 2010 exhibition, Woman Made Gallery (Chicago, IL), 2010 Missouri Regional Coordinator, The Feminist Art Project, 2006-2010 Charlotte Street Foundation Visual Artists Jury, 2010 awards Peer reviewer (book proposal), Routledge, 2010 Peer reviewer (scholarly article), The Journal of the History of Sexuality, 2010 Peer reviewer (scholarly article), Signs: Journal of Women in Culture and Society, 2010 Peer reviewer (book manuscript), Duke University Press, 2009 Peer reviewer (scholarly article), Feminist Theory, 2009 Essays on Joyce Kozloff and Catherine Opie, Women’s Caucus for Art: Honor Awards Catalog. Washington, DC: National Women’s Caucus for Art, 2009 Member, National Women’s Caucus for Art, 2006-2009 Peer reviewer (book manuscript), Berg Publishers, 2008 Peer reviewer (scholarly article), emaj: online journal of art, 2008 Peer reviewer (book manuscript), Thames and Hudson, 2007 Peer reviewer (scholarly article), thirdspace: The Journal for Emerging Feminist Scholars, 2007 College Art Association Liaison, National WCA, 2006-2009 MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.mariabuszek.com 32 [SERVICE, CONT’D] • • • • • • • • • • • • • • • • School of the Foundation Year Creative Pathways lecturer (with Julie Farstad), “Art and Popular Culture,” 2007 Admissions orientation, Liberal Arts introduction/enrollment information, 2007 Coordinated film series on historic films from the Constructivist and Expressionist movements, 2007 Student Assembly, Faculty adviser/liaison. k.a. DJ Spooky (Artist, New York City) • Karen Reimer (Artist, Chicago) • Bec Stupak (Artist, New York City) • Marilyn Stokstad (Professor Emerita, KU History of Art) • Valerie Smith (Curator, Queens Museum of Art) • Garth Johnson (Ceramist and author, Atlanta) • Cartune X-Prez (New media artists/film series) • Jorge Perez (Hispanic Heritage Month speaker, KU Spanish and Portuguese) • Joanna Frueh (Art historian and performance artist, University of Nevada, Reno) Santa Monica College • • Fine Arts representative, Academic Senate, Santa Monica College, 2000–2002 Secretary, SMC Academic Senate, 2001/02 MARIA ELENA BUSZEK ASSOCIATE PROFESSOR OF ART HISTORY, DEPARTMENT OF VISUAL ARTS THE UNIVERSITY OF COLORADO DENVER WEB: http://www.mariabuszek.com